Jane Philbrick MDes ’16 Co-curates International Artist Residency; Advances GSD Thesis
Jane Philbrick MDes ’16 is the co-curator of Dirt & Debt, an international artist residency with Brooklyn-based Residency Unlimited. Dirt & Debt will culminate in an exhibition and publication with ongoing programming in the metro NY region in 2019 and 2020, including a collaboration with the Bronx Science Consortium.
The residency is based on Philbrick’s Connecticut wire mill revitalization project, which served as the case study for her 2016 MDes thesis. She has since built out a team that includes a brownfield board of directors, formed under pioneering 2017 CT brownfield legislation, and project backers. The team recently met with Governor Dannel P. Malloy in Hartford to detail implementation of his signature brownfield legislation. Christopher “Kip” Bergstrom MCP ’76, MCRP ’81, the original project funder in 2013 and former deputy commissioner of the CT Department of Economic and Community Development, wrote of the project:
“There are many, many innovative aspects to the TILL redevelopment proposal for the site, which I won’t attempt to summarize other than to say that this could be the pace-setter for brownfield and mill redevelopment for the 21st century, not just in Connecticut, but nationwide.”
OPEN CALL FOR US-BASED ARTISTS:
Dirt & Debt Residency at Residency Unlimited (RU)
Dates: February 1-April 30 2019
Deadline for submission: Tuesday, July 31, 2018, 11.59pm EST
Artists today are key actors in bringing vitality back to the land, taking back their towns, and staking an active claim in re-envisioning their communities’ future. RU invites applications from US-based artists for Dirt & Debt, a 3-month thematic residency, conceived and curated by Livia Alexander and Jane Philbrick, for artists whose medium is the built and/or natural world. Criteria of selection will include working at the community level in the global context.
Dirt & Debt explores artists’ relation to the built and natural world in the era of superabundant capital, in which corporate profits are disconnected from local economies and artists are deployed to grace and animate the enterprise. Far from benign, art and real estate intersect at a global crossroads of wealth creation that accelerates inequality and ecological degradation.
Against a backdrop of the ever-expanding portfolio of initiatives undertaken by municipal leaders and real estate developers in various urban centers in the US and internationally to deploy the arts as a catalyst for economic growth, through this residency, RU aims to look at what other, more symbiotic models may look like.
Buckminster Fuller astutely observed, “You never change things by fighting existing reality. To change something, build a new model that makes the existing model obsolete.” In order to build a new model, the logic of the existing model must be identified and understood.
Drawing on RU’s model of customized support, Dirt & Debt will take the form of a think-tank/street studio model of cross-discipline exchange and collaboration. Artists will work from RU’s headquarters in Brooklyn and have the option to develop projects while taking part in weekly discussions, meetings, and mentored workshops with key professionals in the built environment, including climate and soil scientists, real estate financiers, municipal leaders, land use and policy experts, and others. Artists can apply and develop their creative practice and processes around issues such as climate change, alternative transportation models, new technologies towards land remediation, and the transitioning relationship of the city to exurban peripheries.
Dirt & Debt is offered in two 3-month residencies; the first session runs February 1-April 30, 2019, the second in 2020 (dates TBA). Each cycle brings together 4 US-based and 4 international artists.
– We are inviting applications from US-based artists only.
– Based on available funding, housing and travel stipends will be provided to selected artists if they are based outside of New York City. In addition we are planning for each selected artist to receive a stipend that will be determined in accordance to funds secured by RU.
APPLICATION AND SELECTION TIMELINE
– June 1, 2018: Applications Open
– July 31, 2018: Applications Close
– August 24, 2018: Applications Review by RU’s curatorial staff and external advisors
– September 6 snd 7, 2018: Interviews with the finalists
– October 1, 2018: Announcement of 4 selected US-based artists
Please provide the following material via the Submission Form below:
– Contact information
– 500-word statement of interest
– Digital portfolio of 10-15 images (up to 5MB) and/or up to 90 seconds sound or video excerpts;
– CV and narrative bio
– Up to 5 URLs to a project website, social media, talks, reviews
Receipt of your submission will be confirmed by email. Please direct application concerns or questions to Natasa Prljevic, RU Executive and Curatorial Assistant: firstname.lastname@example.org
To apply, click here. Deadline for submission: July 31, 2018 (Midnight Eastern Time)